"Lakeside Willows" Miniature Winter Painting

Original oil painting on hardboard, 2.25"x3"
©2010 Diana Moses Botkin

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Winter is here in north Idaho wearing all her finest, frosty apparel.

"Steaming Coffee" Daily Painting

Original oil
7"x5" unframed
©2010 Diana Moses Botkin

I've been wanting to get back to my coffee series for awhile. This is a bit of warm-up (okay, yes, pun intended) to paint an idea quickly. I didn't quite get this finished in thirty minutes.. not at all in thirty minutes... but I did work quickly.

I feel like the looseness works for this piece much better than for the portrait/figurative work I did last week. What do you think?

Wishing you all a warm and happy Thanksgiving!

Charcoal Figure Studies: Longer Poses

Here are the best ones of the longer poses from our last Artists' Salon Open Studio.

©2010 Diana Moses Botkin

These are from last week's session with the model. It was entirely too cold and risky to do the long drive this week to draw. We've had single digit temps and wind chill of minus 17. Better to stay home by the fire, I say.

If you are interested in any of these studies, they are available unframed for reasonable prices. Most are 12x17", either on grey paper or cotton charcoal paper.

Figure Drawings, Short Poses

A hat and a ukelele make good props and I'm glad our model brought them along recently for these short poses at Open Studio.

©2010 Diana Moses Botkin

"Red Slip" completed

Okay. So I just can't leave well enough alone.

Because well enough is simply not good enough.

Why paint in oils if you're not going to make them really work for you? Flesh should look like flesh. Silk should resemble the shiny stuff. Backgrounds might be rough though, I think.

I liked that 30 minute start. And it was a good start, but not a painting, at least to my mind. I would call it a sketch.

Several hours later, it looks like something to keep and put in a frame.


(left)

"Red Slip"
Original oil on board
12"x6"
©2010 Diana Moses Botkin

"Red Slip" figurative painting

Trying to get enough painted in 30 minutes is a good challenge for me, and makes me work faster, I think.

I'm really quite terrible at keeping track of time. Hours can go by while I'm painting and I think it's been about 15 minutes. So having that timer tick away and the bell go off at 30 minutes is helpful.

Painting or drawing from a model in timed poses keeps me working fast, and so does painting en plein air, esp. in late light that changes quickly. But I guess when I have a photo in front of me, I don't care as much about time.

This study was from setting the timer a couple of times... or maybe it was 3 times. I think it might have been 3, because I took shots of my progress after the timer went off and I have 3 pictures. The middle one doesn't look a lot different than the last one, so I didn't bother to include it.

I'm debating whether I should work on this some more. On one hand I like the loose sketchy look. On the other hand, I'd like to see the wrinkles in that silk fabric developed more, and there needs to be a little more detail in the hands.

So, I'll probably get back to this and set the timer some more. It's a good start.

(left)
work in progress

"Red Slip"
Original oil on board
12"x6"
©2010 Diana Moses Botkin

"Hands on Head" progress and finished oil painting

After the block in dried, I set the timer again for 30 minutes. Not enough.

Set it again. Did that again, and again. I lost track of how many times.

These short sessions work out well for painting while I'm waiting for layers to dry on my big commission I'm finishing up.

Here are a couple of progress shots above, and the finished piece.


"Hands on Head"
Original oil on canvas
10"x8"
unframed
©2010 Diana Moses Botkin

"Hands on Head" 30 minute block in

Oil on canvas
10"x8"
©2010 Diana Moses Botkin

This is a sketch, really, and not a bad start for a painting, but there remains much that needs to be done to make this a nice painting. I plan to work on it some more, but wanted to stop at 30 minutes to see how far I'd gotten.

Not far, really.

"Before the Trim" Oil Sketch Daily Painting

Oil on canvasboard
7"x5" unframed
©2010 Diana Moses Botkin

This is the piece which I first started for the 30 minute painting.

My efforts didn't look like much when the timer went off, so I decided to keep working on it, and do another one for my Challenge painting.

I continued working fast and tried not to get hung up on detail. This is difficult for me, but I do like the results and it seems fine for a study.

November Challenge: Do a Thirty-Minute Painting

Challenge Group member Robin Cheers came up with this little doozy for us and instructed us to: "Set a timer for 30 MINUTES. And start painting!! When the timer dings, chirps, rings, beeps, whatever, you are DONE. Stand back and see what you accomplished! The idea is of course, to get in as much as you can - to mass in, to respond quickly to what you see and not analyze. You can work big or small."

My first attempt, a small rough portrait sketch, was hardly worth showing after 30 minutes, so I tried again. Thirty minutes is not long to get much blocked in. I considered doing a quick little sky study. I've painted some simple landscapes for Quick-Draw events in an hour. I thought maybe I could get the basics painted in half that time, with absolutely no detail.

I also considered that I had tried some oil sketches at our figure drawing salon. They were pretty rough, even from our longest poses of 20 minutes. So I thought I'd try a quick figure study in oil. Thirty minutes is just enough time to block in the form's shadows and shapes, then add a few highlights.

"Glance Back"
Oil on canvas
12"x9"
©2010 Diana Moses Botkin

Thanks for the push, Robin. I liked this Challenge even though I really dreaded it. Maybe I'll try some more.

We have a new member to to the group who is trying out the Challenge with us this month, Sharman Owings. Her painting is below, with the rest of the Challenge Group. Welcome Sharman!

(left above) "The Weeper" 5x7" Oil on canvas ©2010 Suzanne Berry
(right above) "The Critique" 9x12" Oil on linen ©2010 Robin Cheers

(left below) "Last Light" 6x5" Oil on board ©2010 Aaron Johnson
(middle below) "Red Flag" 10x8" Oil on hardboard ©2010 Sharman Owings
(right below) "Thea's Rock" 13x13" Pastel on clear primed linen ©2010 Vicki Ross

Charcoal Figure Studies: Longer Poses

(left)"The New Model's Back" 18"x12"
Charcoal/chalk on 100% cotton paper
©2010 Diana Moses Botkin
 
(right) "Back Turn" approx. 15"x9"
Charcoal and chalk on grey paper
©2010 Diana Moses Botkin

To make a drawing which looks good is always my challenge when working from the model. These longer poses at Open Studio give me more opportunity to develop the line and form of the figure. You can visit my DailyPainters gallery page to easily purchase these and others.

And my next challenge is to paint the group puzzler for our November Challenge. Tune in Monday on the 15th to see what we're doing this time. It's even harder than the last one!

Charcoal Figure Sketches in Quick Poses

Our artists' salon is meeting again for figure study.

We have a new model who has never modeled before. She did a good job holding still and she came prepared with ideas for poses out of several life drawing books from the library.

Her proportions and build are quite different from past models. This young lady has a long torso and short, thick arms and legs.

I found it a challenge to make her look "right" on the paper.

Here are the best picks of the short studies: three, five, and ten minutes. Contact me if you would like any of them.

(top) Charcoal on grey paper, 13"x10"

(left) Charcoal and chalk on grey paper, 18"x12"

©2010 Diana Moses Botkin

"Jewel Sky" Landscape Daily Painting

"Jewel Sky"
Original oil, 6"x8" unframed
©2010 Diana Moses Botkin

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Sunset, different each evening, the colors glowing like sparkling gems: a fine finish to a lovely day. It's nice to be able to savor and save the special ones.

"Sunset Drama" Small Oil Study Daily Painting

"Sunset Drama"
Unframed original oil 5"x7"
©2010 Diana Moses Botkin

While waiting for the last tweaked changes to dry on my large commission, I've been gathering ideas for larger sunset paintings. This is the latest of the small studies.

"Primary Sunset" Daily Painting

Original oil, 4"x6"
unframed
©2010 Diana Moses Botkin

SOLD

Looking at this after I was finished, I thought it interesting that shades of primary colors made up the sunset and sky.

"Sapphire Sky" Winter Landscape Daily Painting

Original oil painting on hardboard
approximately 5"x5", unframed
©:2010 Diana Moses Botkin

This is a little piece I started awhile back and I found time to finish it up while waiting for my big painting to dry.

New Giclée Reproduction: "Spring Play"

This is my most recent addition to my LifeImages online gallery. Giclées are available reproduced on canvas or art paper.

"Spring Play" is available to order in two sizes at this page.