Welcome to my Art Blog! I paint or draw most weekdays and sometimes finish a painting a day. I fondly call them my "Postcards from Paradise" because it's such a beautiful place the Lord made here for us.

Saturday, December 15, 2012

Our December Painting Challenge: Old Age

"Contrasts of Life"
Original framed oil 8"x10"
©2012 Diana Moses Botkin

Our Challenge this month is the conclusion of the last few which progressed, starting with Childhood in September. Time marches on, like the progression in our Challenges.

I wanted to show contrasts in this painting and as I was working on this piece with the baby and the great-grandma's hands I thought of the childlike quality of old age, too.

I also thought what a nice job it is to hold and rock a baby at any age. The great-grandchild is one of the best rewards of life for this woman, a great-grandma who is a widow, in her 90s, nearly blind, and confined to a wheelchair.

I really like the other paintings for our Challenge this month. I hope you'll visit Mark and Vicki's blogs to read their take on this month's subject.



(left above) "Self portrait with Sammy" Oil on panel, 6"x8" ©2012 Mark Adams
(right above) "Mary and Delys in Salzberg" Pastel, 20"x16" ©2012 Vicki Ross

Monday, December 10, 2012

Creating Suitable Art for Special Conditions

(left) "Back Lights"  24"x30"
Original charcoal and pastel drawing
on special board with waterproof coating
©2012 Diana Moses Botkin

Special conditions of temperatures or humidity call for unique solutions for the art environment, unless the art itself is not created to be permanent.

For instance, one of my sculptor friends, Lee Harris, who, along with making art with lasting materials, creates snow sculptures that can be enjoyed for only a short time. She and her team compete in winter events and work in the freezing cold to create amazing pieces that will last only as long as cold, dry winter conditions cooperate. Lee and I worked on a joint sculpture of a mama and baby bear a few years ago with more lasting materials.

How long should art last? It depends on the medium and the artist's intention, I think.

The recent large drawing commission I did for a collector's bathroom originally had me flummoxed. I wanted it to last longer than a few months, especially since the client did too. A drawing on paper simply wouldn't fare well in a humid bath environment. Eventually, a drawing on paper would buckle, mold would grow inside the glass on the matting and paper, and condensation would obscure the picture itself. What to do?

(photo, above) Applying the humidity resistant coating after the drawing is completed. The art doesn't need to be framed or put under glass.

In October I posted about my new process so I could create the work for a bathroom.

(photo, left) "Back Lights" is wrapped, boxed once, cushioned well, and then boxed again for added protection. That's the large sturdy package waiting by the door to go to the shipper.

Here is a photo of the finished piece hanging above my client's very large tub. She noted, "In the picture, she looks a little small in the space, but in person, she is a great size." How nice to know my reclining lady is enjoyed there in that lovely room!

(final photo) 
"Back Lights" made it safely to the collector, was unpacked successfully, and then carefully hung in the spacious bathroom above the very large bath tub.

Friday, November 30, 2012

Light and Color in the North Country

(left) "Afternoon Outlook" Oil
5"x7" Original plein air painting 
©2012 Diana Moses Botkin

SOLD

Up here at the edge of the earth, days are short this time of year, and many of them are grey and dark. When the sun shines it is a welcome tonic for body and soul. Color! I'm so thankful for it, and eyes to see it. These are blessings I try not to take for granted by thanking the Creator for such miracles of life

(left)
"Sky and Water Colors" 4"x4"
Original miniature oil painting
©2012 Diana Moses Botkin

SOLD

Monday, November 19, 2012

Scotchman Peaks Paint Out

(left) "Blues and Greens"
Original oil
7"x14"
©2012 Diana Moses Botkin

SOLD

These were painted en plein air last month near Hope, Idaho, for the Scotchman Peaks Wilderness Paint Out.

I've participated in this event for several years and always enjoy the camaraderie of painting with other artists, even if the weather is a bit cold for me.

If you'd like to see these paintings in person, you can enjoy them at OutSkirts Gallery in Hope. It's a lovely drive around the lake from Sandpoint.

(left) "Companions" Original oil, 10"x8"
©2012 Diana Moses Botkin

(below left) "Limelight" Original oil, 5"x5"
©2012 Diana Moses Botkin

Thursday, November 15, 2012

"Adulthood", our November Painting Challenge

"New Family"
Original oil on hardboard, 6"x8"
in handsome custom frame
©2012 Diana Moses Botkin

I named our focus to paint this time, following the lead of our last two month's subjects. You'd think I would have more of a plan about what to paint when I chose the idea, but I did not.

I simply thought it would be an interesting challenge to continue the progression from childhood to adolescence on to adulthood.

What does it mean to be an adult? Is it being of legal age to buy alcohol or tobacco? Is it that one is old enough to vote, or enlist in the military, or get married? Does it mean getting a job, or buying a house? I thought about all these, and more, as I was considering what to paint for this month's Challenge.

I don't think I actually felt like an adult until I became a parent, even though I'd been on my own, working, and married, for a number of years before I had children. It was only when I had my own babies that I truly felt like an adult.

And you know, some people never grow up. Adulthood signifies responsibility, and there are those who have lived many decades who have not yet grasped that concept.

On the flip side there are young persons who've had to take on responsibilities beyond their years and have had to grow up with hardly a glance at childhood. I suppose I could paint for a year and not exhaust all the possibilities for ideas about our subject this month.

Fellow Challenge participant, Mark Adams waxed eloquent about our subject at his blog post today. Here is his lovely painting.

(left) 
"Father Frederick Hanna"
Oil on Canvas
24" x 36"
©2012 Mark Adams
  


Challenge group member, Suzanne Berry painted a lusciously rendered small oil for this month's puzzler. It speaks volumes, don't you think?


(left)
"Adulthood"
Oil on linen 
6"x6"
©2012 Suzanne Berry

Monday, November 12, 2012

Those Summer Painting Days

This miniature at left was painted on the first day of the Columbia Gorge paint out and served as a warm-up for me.

Plein air season for me is when the weather is warm enough to be outdoors most of the day. In the Pacific or Inland Northwest, that's pretty much summer, at least for me.

Mornings and evenings can be quite cool even in the summer. They are my favorite time to capture the colors and mood of a scene, however, whether in a little oil sketch like this one, or something a little larger.

(upper left)"View of Adams"  Oil, 3"x4" ©2012 Diana Moses Botkin 

Friday, November 9, 2012

Sunny Day at the Columbia Gorge

(first painting) "Waterfront"
Oil on deep canvas, 6"x6"
©2012 Diana Moses Botkin
 

(second painting) "At the River"
Oil on deep canvas, 6"x6"
©2012 Diana Moses Botkin
SOLD


These pieces were painted during the plein air event at Hood River at the end of summer. I wanted to do some touching up on a couple of them, so I didn't show them here when I posted the others in September.

Today I'm enjoying the memory of that hot, sunny day, painting on location. It's cold and snowy here in Idaho right now, so it's especially nice looking at the warm colors in these little jewels.

Thursday, November 1, 2012

Sandpoint Solo Show Starts Sunday

(left)
"Pensive"
Original oil, 10"x8"
©2012 Diana Moses Botkin

This Sunday from 11 to 1, I'll be on hand at Monarch Mountain Coffee Company in Sandpoint, Idaho for a reception to open "Figurative Statements", an exhibit of my paintings and drawings.

(second painting at left)
"Reflective"
Original oil, 10"x8" 
©2012 Diana Moses Botkin

SOLD

In the show are images fitting the theme, derived from realistic human figures or abstract form.

A Sunday opening is a first in my experience, but the coffee company owner suggested the time frame for a relaxed gathering. She had told me she wanted more paintings after my ArtWalk show of portraits and still life paintings. She suggested "something more edgy, like nudes".

 In addition to the bath drawings, I'll be showing other nudes including large framed studies on paper and small original oil paintings, like these two at left.

(third painting at left)
"Fiery Flight" 
Original oil, 18"x24"
©2010 Diana Moses Botkin

Along with the figurative pieces, I'm exhibiting some abstract work, which makes an interesting contrast to the familiar forms of the figure paintings and drawings.

Although I paint a variety of subjects, I regularly return to the figure. It's a lot like comfort food to me on a cold rainy day. The figure itself can be simple or complex, depending on the pose and lighting.

And abstract work can be similar, although for me it is more about experimentation and exploration than comforting familiarity with beautiful form.

What's your take on nudes and abstracts?

Tuesday, October 30, 2012

"Theological Studies" My Newest Giclée Reproduction

This image is the most recent addition to my print gallery.

It is available on canvas and other surfaces, in several sizes. Additionally, framing can be easily ordered, which gives you ready art for hanging on your wall, or for gift giving.

More information and order buttons are at this page.

Monday, October 22, 2012

Figurative Art for the Bath

(left) "Arm Shadow"
Charcoal and pastel
with acrylic coating, 7"x5"
©2012 Diana Moses Botkin


SOLD

I've been working on that large nude figurative commission for my client's bathroom.

It's been a bit of a challenge to find the right materials for this piece and develop a suitable drawing surface, then add some kind of appropriate coating to protect the original charcoal drawing without framing and glass.

(second drawing at left) 
"Light Dance"
Charcoal and pastel
with acrylic coating, 7"x5"
©2012 Diana Moses Botkin

SOLD

I do like a challenge, so it's been an interesting process to experiment a bit for this. I wanted to get familiar with my new materials and the technique I needed to use for the collector's large custom drawing so I decided I should do some smaller pieces first.

(third drawing at left)
"Morning Stretch"
Charcoal and pastel
with acrylic coating, 10"x8"
©2012 Diana Moses Botkin

SOLD

After some mess-ups and unsuccessful color/surface applications, I did several keepers, which will fit right into an upcoming solo show I'm hanging soon. (I'll post about it in a week or so and tell you a little more about it.)

It's good to be doing some figurative work again. I felt quite disoriented back home in my studio space after working outdoors doing landscapes at the plein air events at the end of the summer.

(fourth drawing, left)
"Bathing Pose"
Charcoal and pastel
with acrylic coating, 10"x8"
©2012 Diana Moses Botkin

I like this drawing technique and am getting used to the new materials. I'm feeling less clumsy with it, finding out how it behaves, learning what to watch out for and prevent as I work.

It is not as forgiving as a nice soft cotton charcoal paper with a laid finish, but it's workable, and allows me to do original drawings that can enjoyed in the bathroom environment. Nudes seem an obvious choice for art in the bathing area.

Please contact me if you'd like to purchase these or commission a similar large work for your own bathroom or spa.

Monday, October 15, 2012

October Painting Challenge: Adolescence

Welcome back to the Challenge, Suzanne, and thanks for picking our subject this month!

This one is a continuation of sorts of last month's theme. I enjoyed thinking about what adolescence might mean in a symbolic way (and, I admit, stressed over it a bit).

That preteen age is still rather care-free for most kids, but thoughts are taking shape about adulthood. I wanted to show something of that transition in life.

(image above left) "Soothing Break" Oil on hardboard 6"x9" ©2012 Diana Moses Botkin

For my reference I used a photo of my youngest from a few years ago that I'd snapped while he was enjoying some relaxing time in the warm sun and the company of our fuzzy orange cat. I thought he looked like he might be pondering some of life's questions while lying on the ground.

We've all been super busy lately but I'm very glad we've managed to keep up our monthly puzzler. I think everyone's paintings are stellar.

Every one of us has had our own challenges to deal with, so it is especially delightful to me that all of the group was able to come up with a painting for this one. You can see larger images at each artist's blog link.

 (first painting)
"Adolescence"
Oil on canvas
6"x8"
©2012 Suzanne Berry




 
(second painting)

"Tyler the Teenager"
14" x18" Pastel
©2012 Vicki Ross


  
Mark's painting, an early work of his, is impressive for a youngster, and perfect for our theme! 

(third painting)
"Self portrait 1968"
Oil on canvas
27" x 18"
©1968 Mark Adams

Friday, October 12, 2012

Driving and Painting, and Driving, and Drawing

During the past couple of months I've participated in several plein air events. This means I've put a lot of miles on my van. I've also painted some decent work, sold some, and won an award. All good.

Besides the finished plein air pieces at the shows, I also have over a dozen new unfinished pieces now sitting in my studio space. These are paintings started en plein air which needed more time to bring to a good conclusion. Looking at them now, I think several can be finished up in the studio. We'll see. Plein air work is a challenge in itself, and finishing a piece off-site can be even more difficult.

I'm also working on an interesting figurative commission, which is presenting some unique challenges. The client originally wanted a charcoal figure drawing for her bathroom. I advised her that works on paper, which need to be matted and framed under glass, would not fare well in a humid bathroom environment. Think rippled paper and mold under the glass in a few months.

She then considered a giclée reproduction on canvas of one of my figurative pieces, but the size she wants is much larger than the art would reproduce well. Finally, I came up with a plan for an original drawing on a surface suitable for a humid bathroom environment with an applied protective coating. So I've been experimenting with the drawing surface and coatings.

And another challenge is coming up right after the weekend when it will be time for our monthly Challenge! I hope you'll check back here on Monday to see what the group creates this time.